Witches in the Woods (2020)
Witches in the Woods
”A group of friends on a snowboarding trip become lost in the mountains and soon find themselves in a literal witch hunt.”
Available at home
Rent or Buy
&plat_logo=https://media.filmelier.com/images/plataformas/icone_mobile/365599cc6c68bb404af36411d40a866c.png&link=https%3A%2F%2Fitunes.apple.com%2Fus%2Fmovie%2Fwitches-in-the-woods%2Fid1499934890%3Fat%3D1000loWU "Apple TV (iTunes)")
Trailer
Why watch this film?
From Canadian filmmaker expert in horror, Jordan Baker (‘The Swamp’), ‘La noche de la bruja’ is one of those films that, with a limited budget, opt to develop its plot in a handful of locations and with few characters, betting on creating an atmosphere of constant tension and an allegorical background that in this case questions how certain types of privilege, sheer perception, and ignorance have given rise to persecution and injustice throughout history. The execution is not always good, and if it must be compared, Robert Eggers' 'The Witch' does a better job exploring these themes. However, the production values are solid, the acting and special effects are convincing, and it is quite commendable to develop a film in such a claustrophobic environment. It's worth a chance from fans of psychological horror with deeper thematic depth, beyond mere scares and gratuitous violence.
Filmelier
Our suggestions
Plot summary
Jill, a tenacious UMass freshman, abandons her studies for an off-the-grid snowboarding trip with friends. But after the sun has dipped below the horizon, their SUV mysteriously becomes lost in the freshly-logged mountains, eventually running out of gas. As temperatures fall, the group dynamic unravels as a virtual and then literal witch hunt begins.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Available at home
Horror
Abigail
Abigail demonstrates why we should keep an eye on the director duo Matt Bettinelli-Olpin and Tyler Gillett, especially when they have original material at their disposal (they also directed Scream 5 and 6, with mixed results). Abigail is a film that manages to balance the terror and tragedy of its characters with the absurdity of its premise, thanks to a clever script that plays with the conventions of vampire literature, careful direction, and a phenomenal cast (led by Mexican actress Melissa Barrera and Dan Stevens) that fully utilizes their roles. The plot follows a group of kidnappers tasked with a delicate job: to kidnap a millionaire's daughter for ransom. However, it all turns out to be a trap: beneath the guise of a 12-year-old girl, the victim is actually an ancient vampire who likes to play with her food. Like Ready or Not in its time, this film is self-aware, pushing its story and violence to the most absurd and fun limits without falling into self-parody. It won’t change the history of horror cinema, but it’s an excellent (and even stylish for a film of its genre, I dare say) choice for a fun time at the movies with friends.
28 Days Later
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs – and it’s absolutely impossible to contain.
The Jack in the Box Rises
When Raven is sent to an all-girls boarding school, she unleashes a demon from a mysterious vintage jack-in-the-box hidden on the school grounds. Will the students make it out alive, or will the demon claim the victims it requires to remain alive?
Nudus
From director Gibrán Bazán, pupil of legendary cult filmmaker Juan López Moctezuma (Alucarda), NUDUS is a science fiction thriller that, with few resources, aspires to create the worst conceivable dystopia of our digital age: a world in which everyone's data is accessible to everyone, and for any purpose, after a major global hack. The plot follows a woman (Carla Hernández) who, upon waking up from a prolonged coma, is confronted by a stranger (Álex Crusa) who seems to know everything about her: everything she has written on WhatsApp and Facebook, all the videos she has sent to her contacts, all the humiliating information she has said in private. From this moment on, NUDUS seems more concerned with the mystery of its characters than with the greater background of their situation, so it becomes more about the exploitation of its female protagonist than a reflection on technology and data privacy. However, despite the plot going off the rails, the situation lends itself to exemplifying a catastrophic scenario of these breaches in privacy.
