Invisible Life (2019)
Invisible Life
”Two sisters search for each other in conservative mid-20th century Rio de Janeiro.”
Trailer
Why watch this film?
Grab a tissue before watching this historical drama that won the Jury Prize at Cannes' Un Certain Regard section. Seventeen years after directing 'Madame Satã', Karim Ainuz returns to mid-20th century Rio de Janeiro, this time telling the story of two sisters, Eurídice (Carol Duarte) and Guida (Julia Stockler), who are separated by conservative parents without knowing each other's whereabouts. As they try to reunite, they must continue their lives dealing with the machismo and conservatism inherent in Brazilian society. The highlight of the film is the moving performance of the young actresses, as well as the original soundtrack composed by German Benedikt Schiefer, the attentive art direction of Rodrigo Martirena and the photography of French Hélène Louvart (who, it is worth remembering, signs the also acclaimed 'Lazzaro Felice'). Even though short, the incredible participation of the Brazilian cinema lady, Fernanda Montenegro, stands out. For all this, it is no wonder that 'A Vida Invisível' was chosen to represent Brazil at the 2020 Oscars.
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Plot summary
Two sisters born in Rio de Janeiro make their way through life, each mistakenly believing the other is living out her dreams half a world away.
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From the same director
Central Airport THF
Besides having established himself in melodrama with films like 'A Vida Invisível' and 'Céu de Suely', filmmaker Karim Aïnouz also took a risk in documentaries such as 'Catedrais da Cultura' and 'Sertão de Acrílico Azul Piscina' -- however, always sharing the direction with other partners. Now, however, he takes his first solo flight in the genre with 'Zentralflughafen THF', awarded at the Berlin Festival. Here, he maintains his contemplative and melodramatic style to talk about the deactivated Berlin-Tempelhof airport, which today serves as a meeting point for Germans and refugees. Karim's own style is undeniable, making use of a repressed emotion in the portrait of the people who cross that environment full of stories. It doesn't have the strength of his dramas, but it shows, from this curious story, the award-winning filmmaker's look at everyday events. Those who like Karim's style of films will undoubtedly find solace here.
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Directed by the talented Karim Aïnouz (‘The Invisible Life’), ‘Nardjes A.’ seeks to particularize a popular revolt, a revolution, from the point of view of this female protagonist who gives the feature its title. However, the feeling is that the idea does not evolve from there. Although the director has some interesting editing resources along the way, the plot does not evolve much and ends up skating in the middle of similar meanings. The interviewed character, meanwhile, is stuck in the middle of that crowd looking for a breath, an escape, anything. But it doesn't happen. Some viewers will undoubtedly find the documentary repetitive and a bit tiring. But pay attention: at the heart of the matter, there is a look at the individual struggle and the importance of each person.
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